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 Tuesday, May 27, 2008
Impatience and Frustration – Bad Bedfellows Indeed
"How poor are they that have not patience!
What wound did ever heal but by degrees?
Thou know'st we work by wit, and not by witchcraft;
And wit depends on dilatory time."
(Othello, 2.2.376-79)


Over this holiday weekend, I planned to do nothing but sit on my couch and read for my upcoming exams – and do as little physical labor as possible. Unfortunately, whilst sitting on my couch, I had an almost head-on view of the small hallway in which I've been meaning to install a built-in cupboard. In my line-of-sight were a box of cat litter and two bags of cat food that would be hidden behind the doors of said cupboard. Needless to say, this distracted me mightily from my Shakespeare.

So, I took some measurements, drew up a rough sketch (not my forte as you can see above) hopped in my car and drove to the home center where I picked up some 2x12 Southern yellow pine from the "Construction Lumber" section. I planned to paint the piece (and I'm cheap), so SYP was a perfect choice...except that I'd have to mill off a lot of waste to get to my desired 3/4" thickness. But no problem – after all, we have the technology.

I got to the shop, plugged in my iPod (the first step in any project), and rough cut my pieces to length at the miter saw. Then I powered up the dust collection, adjusted the jointer fence and went to work on the milling. I moved to the planer, ran a couple pieces through...and was hit in the face with a HUGE cloud of dust.

It seems our dust collector hadn't been emptied since Hector was a pup. Not only was the waste container full, the dust was backed up into the overhead pipes and jammed at the intake for the planer. So after a moment (or 10) of fishwife-worthy curses, I emptied out the container then spent a half hour getting the pipes unjammed, then swept up enough dust to fill another two containers. ARGHHH!!!!!

By this time, I was quite frustrated (yes, I should have checked the collector before I started; I was mostly angry with myself). I finished milling the lumber, stacked it on my bench, and decided the construction could wait. I'd had enough for one day, and I _really_ needed to get back to my books. So I left.

You'll recall that I used Southern yellow pine. From the home center. From the Construction Lumber department. Rule #1 when buying cheap wood: Let it dry. Or if you're impatient, mill it and IMMEDIATELY construct your project, clamping the ever-loving you-know-what out of it so it doesn't warp/twist/cup/etc as it dries. OK. really, you should let it dry.

What you should never do is stack it, unstickered, on your bench.


Two days later, I'm hoping that, having stickered it, the top piece will flatten out as the moisture loss from the now-exposed side catches up. If it doesn't (and I know it won't, but a girl's gotta have hope), it's another trip to the home center...for a BIG box of screws. And stock for a beefier face frame to hide those screws. I'll head for the hardwood. It's usually dry.

— Megan Fitzpatrick


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5/27/2008 12:27:14 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [8] 
 Tuesday, May 13, 2008
High Heels and Pounce Bags

Last Sunday, in The New York Times Magazine cover story, Michael Sokolove reported that in the world of sports, “Girls are more likely suffer chronic knee pain as well as shinsplints and stress fractures.” And, according to some research, ankle sprains, hip and back pain are more prevalent among women athletes, as are concussions in sports that both sexes play.

I guess I’m lucky. I played soccer for three decades and while my knees do hurt on occasion, I never tore an anterior cruciate ligament (aka ACL). After a mild sprain or two, my right ankle isn’t quite as strong as it once was, but I’ve never been on crutches for more than a week. And no concussions (at least none I remember). What finally ended the game for me was a snapped wrist during a stint as keeper. I was in a cast for four months, and my right wrist is now chronically weak – and I’m chronically afraid of breaking it again. (But for the record, I blocked that shot.)

The difference between men and women, according to experts Sokolove interviewed, is biometrics. Quite simply, men and women are built differently, and after puberty, men tend to add muscle whereas women tend to add fat, so women don’t have the same intrinsic strength to support muscle and ligament movements. And, because of women’s hip shapes, we tend to run differently. According to some experts, the female body can be trained to address these differences, which may reduce injuries.

I find a similar issue in woodworking from time to time. At 5'5", I’m of average height for a woman. But the benches in our shop were built by men, and my bench used to belong to Editor Christopher Schwarz, who is just shy of a foot taller than am I. So, properly using a hand plane at that bench is for me impossible, as my elbows are always bent far more than they ought to be. This is an easy fix — either build my own bench…or wear high heels. (Thus far, I’ve opted for the heels.)
















On the left, I'm wearing 4" heels; on the right, I'm in flats.

Sawing is also a challenge, at least for some women. In “How to Saw” in the Spring 2008 Woodworking Magazine, Chris illustrates proper sawing stance, with his legs and body positioned straight on to the cut, and the elbow of his sawing arm swinging freely past his torso. Let’s just say that if I line my body up in the same way, my sawing arm cannot swing straight back unimpeded. In this situation, I opt to stand a bit left of center…or wear a sports bra. Again, it boils down to a fashion choice.


It took me a long time to get comfortable with our Powermatic table saw, too. Pushing a board through the cut is quite scary for me. Compared to the guys, my torso is a lot lower and closer to the blade when I lean forward, and my arms are a lot a shorter. So, my hand, arms and chest are always closer to the blade. Thus, I have to more often give up some workpiece control by using a push stick when one of the guys might not choose to use one.

And then there’s gloves (no, I don’t wear them at the jointer). One size does not fit all. It doesn’t even come close. Forget the home center or hardware store. When I need nitrile or vinyl gloves for messy finishing jobs, I have to drive miles to a medical supply store. And even then, I’m not always able to find women’s smalls.

Hand-held tools can also be a challenge. We have some drills in our shop that I simply cannot pick up and use with one hand, due to their weight. And on others, the grip is far too large to be comfortable. I realize these tools are designed for the “average” user – but I do wish more manufacturers paid attention to the fact that far more women are now buying and using tools. I don’t think our relatively smaller frames and hand sizes are usually factored into that “average.” (Of course, my chronically weak right wrist doesn’t help matters. Darn – guess I can’t use that Firestorm pictured above.)

In my soccer “career,” until college I was usually the only girl on the team. I wasn’t the best player, but I could hold my own. By age 16, most of the guys were faster, stronger and a whole lot bigger than was I. So I compensated by improving my blocking, tackling and passing. I’ve had to learn some similar “fixes” in woodworking. And of course, it affords me the opportunity to match my pounce bag to my shoes.




— Megan Fitzpatrick


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5/13/2008 2:28:02 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [26] 
 Friday, May 02, 2008
Update on Woodworking in America



As you may have read in an earlier post, Popular Woodworking and our sister publication, Woodworking Magazine, are sponsoring the first-ever weekend conference devoted to hand tools and learning to use them.

We're calling it Woodworking in America: Hand Tools & Techniques Conference 2008, and we'll be bringing together the country's best hand-tool woodworkers and manufacturers for a symposium in Berea, Ky., on Nov. 14-16.

There will be more than 40 short classes on tools and techniques during the long weekend, plus a marketplace where toolmakers can display (and sell) their wares, social events with the demonstrators and toolmakers and more.

On April 28, we announced a long list of distinguished woodworkers and toolmakers who will join us, and now we're delighted to let you know that we've added two more to the list: Brian Boggs (who is renowned for making gorgeous, comfortable chairs) and David Jeske (owner, founder and fine hand-tool maker of Blue Spruce Toolworks). And we're still working on the list.

In addition, journalists from some of the web's top woodworking sites will be on hand to interview attendees, toolmakers and teachers, and share their impressions of the conference online. We're pleased to welcome The Wood Whisperer (aka Marc Spagnuolo), Matt's Basement Workshop (aka Matt Vanderlist), The Village Carpenter (aka Kari Hultman) and Furnitology.com (aka Neil Lamens).

Registration for Woodworking in America will begin in June. Visit the conference site to sign up for the e-newsletter, and you'll be the first to know when the registration "desk" opens.

— Megan Fitzpatrick
 


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5/2/2008 3:13:30 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
 Wednesday, April 02, 2008
Glen-Drake Founder to Visit Popular Woodworking



Kevin Drake, the founder and owner of Glen-Drake Toolworks (glen-drake.com), is visiting the Cincinnati-based Popular Woodworking shop for a free seminar on May 8 from 6-9 p.m.

Kevin will be demonstrating and discussing some of his tools, including the Tite-Mark gauge (the favorite cutting gauge of four out of four Popular Woodworking editors surveyed), the "Wild-West" Joinery Saw (a two-handed dovetail saw), Plane-Adjusting Hammers, Chisel Hammers and more. Plus, all attendees will get a free copy of his "Tools and Techniques" DVD!

We have room for 60 visitors, and dinner is included. Slots are available on a first-come, first-served basis. Please send me e-mail me if you'd like to attend this free event.

— Megan Fitzpatrick

(megan.fitzpatrick@fwpubs.com)



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4/2/2008 2:28:05 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
 Wednesday, February 20, 2008
Completely Floored

It's a good thing my kitchen is capacious. In addition to the usual kitchen accoutrements and furniture, at the moment, it also contains a church pew (it usually resides in the front hall), a large cedar chest (which serves as my coffee table), a television and related electronics, a very heavy antique sideboard, a couch (off to the right side of the picture), the top of an old corner cupboard, two small bookshelves and the top of my dining room table (which, no doubt in violation of fire codes, blocks the back door). I've been eating out a lot.

The reason for this nightmare of a mess? When I bought my 1895 house seven years ago, I swore the first change I'd make was to remove the execrable kelly-green carpet in the living room and cheap, thoroughly worn parquet in the hall and dining room. I finally got around to it.

As I mentioned in my last entry on this little project, I had a fair amount of patching to do before the floors could be sanded and finished.


As you can see in the picture at right, a former owner had cut a hole in the floor, dropped in some scrap wood, and left the ends of the floorboards unsupported (you can see the joists through the large gaps). There were several areas where similar "fixes" had been done, so I had to pull out the scrap wood and cut back to the joists to "tooth in" matching floorboards of alternating lengths. I borrowed Editor Chris Schwarz's Fein MultiMaster and went through several "E-Cut" blades as I made plunge cuts in the damaged boards at the middle of alternating joists. Then, using a cat's paw, I carefully removed the cut pieces. (The removal process was a great deal easier in the small hallway between the living room and kitchen. That entire area was severely water damaged, so everything had to come up – no need to be gentle.)


The living room floors are a mix of 3-1/4" and 4-1/4" boards. I was able to scavenge 3-1/4" boards from a large closet on my third floor, but I didn't have any 4-1/4" boards. I cut all the necessary 3-1/4" pieces to the correct lengths, and stacked them against the wall as I searched for 4-1/4" boards.

I also had a number of knotholes to fill in, so Senior Editor Glen Huey taught me how to pattern rout, and kindly lent me his router inlay kit. It seemed fairly simple — you cut a pattern out of 1/4" ply just a bit larger than the area to patch. You secure the pattern around the hole, and with the collar and bushing attached to the router, use a 1/8" spiral upcut bit to cut what's basically a lip around the outside of the hole. Then, secure the pattern to your patch material, and with the bushing removed, rout out a matching plug, and use your table saw to slice off the plug. Smear glue around the lip of the hole and the back of the patch, and tap it in place.

Turns out, it's far easier on the workbench than on a dusty, splintery uneven floor. In situ, I had to secure the pattern with my feet (no tape would hold; my 120 pounds was, however, quite sufficient) and use the router while bending at the waist directly over it. Then, I had to do a little handwork with a chisel, as many of the holes were near the wall, and the router wouldn't reach. And who knew – 100-year-old pine smells vaguely like cat urine when you push it too slowly through the table saw blade.

I was done with all the inlay work and removal of damaged boards on Feb. 5. My "new" floorboards were scheduled to be delivered on Feb. 6. So I put plywood over massive holes, and waited. And fretted. And waited. You see, I'd found what I was told was 100-year-old salvaged white pine floorboards at an outfit in South Carolina. They shipped it to me via DHL (the shipping cost as much as the 60bf of floorboards), and DHL misplaced the shipment in Atlanta. Luckily, they found it again, but it didn't arrive until Feb. 8, and I was on a tight deadline. Al Lovell Hardwood Floors was coming early on Feb. 12 to sand, stain and finish. (Yeah, yeah – what can I say? I hate sanding.)

I got about eight hours of sleep the entire weekend, but I got the replacement boards in place. As the entire floor is rather gappy, it wasn't particularly delicate or tight work. There were only a few boards from which I had to cut off the bottom of the groove side in order to lever the pieces in place. I used an 18-gauge nail gun to secure the "new" boards to the joist through the tongues and grooves, though I did have to face nail in a few places to keep them from creaking.

The cats and I moved to a neighbor's house for a week while Al and his crew took over. I had a bit of a scare when Al told me they were having trouble getting some old glue off the hallway floor, and I might want to think about installing tile there. But, they came back the next day well-stocked with #20-grit, and – thankfully – were able to sand through the gunk. Then, they sealed, stained (Minwax cherry) and put down several coats of polyurethane.

J.J., Cleo and I are back home now, and while the oil finish is still a bit redolent, I'm very happy with how the floors look – even with the gaps and a few pieces of yellow pine mixed in. And the cats are pleased to be reunited with their toys. Now, I just have to run 100 feet of baseboard....

– Megan Fitzpatrick






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2/20/2008 11:02:03 AM (Eastern Standard Time, UTC-05:00)  #  Comments [5] 
 Friday, February 15, 2008
Finishing Seminar with Bob Flexner

Popular Woodworking contributing editor and finishing guru Bob Flexner is leading a two-day finishing seminar June 21 & 22 at the Marc Adams School of Woodworking in Franklin, Ind. A few seats are still available.

This seminar will give you a thorough understanding of wood finishing, and help you overcome any finishing trepidation you might have. Through a combination of lecture and demonstration, Bob will show you how to properly use brushes and spray equipment, how to prepare your projects for successful finishing and how to choose the best finish for your work. Then, you’ll learn the best applications methods for a wide variety of finishes, including pigment, dye stains, shellac, polyurethane and more – plus you’ll find out how to overcome specific finishing challenges, and discover how keep your finishes looking new for years to come.

To register ($250), click here. For more information, visit the school’s web site at marcadams.com, or call (317) 535-4013 .

— Megan Fitzpatrick


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2/15/2008 3:37:58 PM (Eastern Standard Time, UTC-05:00)  #  Comments [0] 
 Monday, January 28, 2008
Subscribe by Feb. 1 to Get Woodworking Magazine Spring 2008

This Friday – February 1 – is the last day to subscribe to Woodworking Magazine to ensure you get the Spring 2008 issue delivered right to your door.

Inside, the Spring issue, you’ll find plans and step-by-step instructions for building two Stickley Tabourets, as well as technique articles on understanding backsaws and learning how to use a handsaw properly for the best results. Plus, we investigate and test the various methods for cutting perfect circles and settle on the best technique. You’ll also find plans for a handsome circular cutting board, and discover how to apply glaze for the best results.

Coming up in the Summer issue (on which we’re now hard at work!), we take a look at finger joints, and how to cut them better and cheaper – no $300+ jig or table saw needed – you can make your own jig out of plywood and get perfect results!
 
Then, we use the finger joint to build an adaptation of a Shaker blanket chest and a sea chest with tapered sides.  Plus, you’ll find technique articles on trimming end grain with both hand tools and power tools, and step-by-step instructions for producing an aged painted finish. You’ll also find a review of woodworking screws – and will likely be surprised by our conclusions (the most expensive aren’t the best).



Make sure you don’t miss the Spring 2008 issue – click here to order your charter subscription to Woodworking Magazine by February 1.
— Megan Fitzpatrick


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1/28/2008 11:40:20 AM (Eastern Standard Time, UTC-05:00)  #  Comments [1] 
 Friday, January 25, 2008
When Novice Woodworkers Hit a Bad Patch...

I have a long-standing aversion to traditional psychiatric therapy – but I'm of mostly Irish descent, have red hair, and the temper that goes with it. So, to deal with aggression, I turn to DIY projects around the house (plus, I'm cheap, and refuse to set the thermostat above 60° despite our current 14° temperature in Cincinnati, so the work helps keep me warm).

My last project was redoing my 1970s-style bathroom (I posted a picture of the shower in an earlier entry here). But that's about finished (I still have some trim moulding to run, but I've managed to overlook that for some time now).

When I bought my 1895 house seven years ago, the first thing I planned to do was tear out the nasty green carpet in the living room and dejected-looking parquet in the dining room and hallway, and lay down new flooring. So finally, after seven years of kvetching about the ugly carpet and sad parquet, I got started on it last Sunday. I began in the dining room, and when I got down to the original pine flooring, I was very excited. As you can see in the picture at the top (along with the tiny Christmas tree I have yet to put away), it's actually in pretty good condition, and I was fairly certain it could be sanded, refinished and made to look right pretty. So I called my floor guy and made an appointment for him to come over and take a look (I hate sanding – my skinflint nature halts abruptly when it comes to doing things I despise).

Then, I got started in the living room, dutifully cutting the carpet into 4' pieces and rolling them per the specifications of our local trash collectors. Underneath was a layer of Masonite, so I pulled all that too, along with what seemed like thousands of nails. And then I hit a bad patch. A very bad patch – literally. But hey, I'm a novice woodworker – how hard can it be to tooth in replacement boards? Simply cut out the bad boards at the joists with a circ saw, clean up the ends of the cut with a chisel, and nail a proper patch into place.



Well, like most of my crazy undertakings, it turns out to be harder than I expected – mostly because I need 100-year-old boards, so they'll match. I've scavenged material from the third-floor closet, where I'll put in new replacement boards (no one will ever see those), and started to cut the patches to size. But, the third floor has only 3-1/4" boards, and the living room is a mix of 3-1/4" and 4-1/4". If anyone knows where I can find 25-35 board feet of 100-year-old pine floor boards, please let me know. And if anyone has the name of a good psychiatrist....

— Megan Fitzpatrick

p.s. For the record, I wore gloves. But there was no jointer in sight.


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1/25/2008 11:05:57 AM (Eastern Standard Time, UTC-05:00)  #  Comments [8] 
 Tuesday, November 27, 2007
Dovetail Update -- Half-blind

A few months back, Senior Editor Glen D. Huey taught me his "no fail" method for cutting through dovetails, and, following Editor Chris Schwarz's advice, I cut one set a day for 30 days (OK -- I cut them only during the work week, and ended up with about 24 sets). I posted the method and accompanying pictures on this blog in two parts. For Part 1, the Pin Board, click here; for Part 2, the Tail Board, click here.

For half-blind dovetails, the method really isn't much different -- you still mark, saw and chop. You simply don't saw all the way through the half-blind tail board. I learned to cut half-blinds while making inset drawers for a Chimney Cupboard that will be in the February 2008 issue. First, I milled 1/2" stock and cut the through-dovetails for joining the drawer sides to the drawer back. Up to this point, the method is the same as detailed in Parts 1 and 2 above.

Then, I set my marking gauge to 1/2" (aka the thickness of my sides), and scribed a line at that setting on the inside face of each of my drawer fronts. My drawer fronts are 7/8" thick, and the idea is to leave at least 1/4" of material in back of the pins, so I had to change the setup on my marking gauge to mark the depth of cut on the end. Use this same setup to scribe the baseline on your tail boards (the side pieces).

Here, I diverge from Glen's method a bit. He marks out his pins (and tails) with a pencil; I now prefer to use a marking knife, as I find my saw drops easily into the scribe line, and for me, that makes it easier to begin the cut. Whether you use a pencil or marking knife, the layout remains the same. Clamp the drawer front with the face away from you. Lay your dovetail gauge on top so the wider end is facing away from you, then, mark your first pin 1/4" or so in from the top edge of the drawer starting the mark in the gauge line you've already scribed. Mark the second pin at the bottom edge, in 1/4" or so. Now, you'll have one big waste area marked.

This is a 4" drawer, so I measured and marked two more pins (the 5" drawer also has two pins and two half-pins, the 6" drawer has thre full pins and two half-pins), and marked an X in the waste areas. As with through dovetails, you want to saw on the waste side of the line; having that waste area clearly marked cuts down on mistakes.


Now clamp the front face-side down flat on your bench, with the end to be cut hanging slightly over the edge. Instead of sawing through the face as you would with a through dovetail), the angle on your saw should be less severe.

Saw down to the line 1/4" from the front edge; at the same time, you'll be sawing past the scribe line on the back face of the drawer front by about 1". (I had trouble believing this...so I went home and pulled out drawers from various pieces of antique furniture I own. Lo and behold — there were saw kerfs on the inside face of every drawer front.)

It's on to chopping out the waste, just as you would with a through dovetail. The only difference is, you stop when you get down to your 1/4" scribe line, and square the bottom. As always, undercut each just a hair. To keep from breaking out the pin edges, chop the top edges of the waste at an angle to the pins and knock it out.

You've already scribed the baseline on your tail boards (the side pieces of the drawer). Put the drawer side face down on your bench, and balance the drawer front on top of the side so that the baseline of the drawer side is even with the inside edge of the drawer front, then transfer the layout for the tails to the drawer side. Now, it's a through cut on the tail boards, which will fit snug with your half-blind dovetail sockets on the drawer front, creating a perfect half-blind dovetail joint (with a little practice, of course).

-- Megan Fitzpatrick


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11/27/2007 12:34:20 PM (Eastern Standard Time, UTC-05:00)  #  Comments [5] 
 Tuesday, October 30, 2007
A Weighty Issue


A couple readers commented that the Shaker-inspired step stool we featured in the “I Can Do That” column in the November 2007 issue was missing horizontal supports across the sides, which were often seen on traditional Shaker stools (you can download the plans here). At the rear of the first step, there is 3-1/4" of long-grain-to-long-grain contact due to the cutout, so there was some concern that the glue joint wouldn’t be strong enough to hold under heavy weight, or over a long period of time, were that joint shorter.

We were careful to select tight, straight-grained stock with no defects for the side panel glue-up – an important consideration in any panel glue up that has to bear a lot of weight…not that we weigh a lot. But, just to be sure, we had three editors stand on the stool at once, as you can see in the picture above, and other than a few balance issues (hey — I haven’t finished my morning coffee yet), we didn’t experience any problems. There were no joints creaking (other than our knees), and the step stool held together just fine.

That being said, were the stool plans modified and the front glue joint were thus shorter, less long-grain-to-long-grain contact could present a problem — we wouldn’t recommend less than 2-1/2". And of course, it is historically accurate to have an interior side rail.

So if you have any concerns about the construction integrity (or simply want a more traditional look), add an interior rail across the panel glue-up on both sides, perpendicular to the bottom front horizontal support. You might also consider moving the back horizontal support to be parallel with the bottom front horizontal support, thus forming a square, and keeping the lines less cluttered (you can see an example of this construction in the Shaker Workshops catalog).

But, we had 550 pounds worth of editors on our stool (and no, I’m not giving you the breakdown of who weighs what), so I feel confident that it will hold.

— Megan Fitzpatrick


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10/30/2007 11:22:39 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [8] 
 Thursday, June 21, 2007
Think it Can’t Happen to You?



We’ve all read the advice: Always spread out your oily rags on a table to dry, or drape them over the edge of a trash can, making sure they don’t overlap. Why? Because oxygen absorption generates heat as a by-product. If you leave your oily rags in a pile, the heat can’t dissipate and a fire may result.

But how often do we ignore that advice? After all, the odds are small a fire is actually going to happen – right?

Well, it happened. Oil-soaked rags sparked a June 20 fire in Arroyo Grande, Calif., that destroyed a brand-new home and resulted in $2 million in damage, reported the San Luis Obispo Tribune.  

So follow the advice religiously; spread your rags out to dry. Once they are dry and hard, you can safely throw them in the trash. But not a moment sooner.

— Megan Fitzpatrick


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6/21/2007 3:59:29 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
 Tuesday, May 22, 2007
Woodworking Dimensions













Like any profession, woodworking has a lot of jargon specific to the craft. And no matter how simple the project, I always seem to run smack up against this issue when writing woodworking articles.

Case in point: I recently finished building a wall box for the I Can Do That story in our August issue. The project was easy – just a few boards cut to size and nailed together. So I thought writing about it would be easy, too. And for the most part, it was. But, when my story made the first round through the other editors for changes, Senior Editor Bob Lang pointed out that my terminology was a bit off.

I wrote, “cut the shelf to the final width.” But, because the grain of the wood in the shelf runs side to side between the two upright pieces, what I was really doing was cutting it to final length.

However, to the novice reader (read: me and the target group for the I Can Do That projects), this is confusing. That piece of wood runs across the width of the shelf in the finished project, so if I wrote, “cut it to final length,” I suspect a lot of readers might be scratching their heads and wondering what the heck I meant. Because I didn’t have enough room to go into an explanation in the story, I simply wrote around the problem (a time-honored tradition in journalism).

But now I feel guilty about perpetuating my ignorance on unsuspecting readers, so here’s a quick primer I lifted from one of Bob’s books, “Shop Drawings for Craftsman Furniture.”

“For individual parts, width is always the direction across the wood grain, and length is always the direction with the grain,” writes Bob.

In the photo above, on the top piece you can see the grain running top to bottom...which is the length. The width runs across the long side, from left to right. So, the top piece is 2-1/2" long and 26" wide. The bottom piece, in which the grain runs left to right, is 21" long and 2" wide.

The orientation of the parts in the finished piece makes no difference when discussing the individual pieces.

Once, however, the pieces are put together, the dimension tags for the individual pieces no longer apply. For example, the long grain of a drawer front (the length, in pieces), runs across the width of a drawer. Oy vey.

Then there’s nominal v. actual size when buying lumber. See the ICDT manual for an explanation of that bugbear.

And don’t get me started on rebates/rabbets, cramps/clamps, trenches/grooves…

— Megan Fitzpatrick


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5/22/2007 8:58:53 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [7] 
 Tuesday, May 08, 2007
Tool Test - Gramercy Tools Finishing Brushes
From December 2006 Popular Woodworking

First of all, these are very good brushes. I used the 2" version ($34.95) to apply three coats of shellac to the Whale Tail Shelves in the December 2006 issue (page 40). The brush held an ample load of shellac which meant I didn’t waste time with constant dipping (important when working with fast-drying finishes), shedding was minimal and brush marks were non-existent.

But what’s really great about these brushes is the story behind them. Joel Moskowitz and his team at Tools for Working Wood simply couldn’t find a finishing brush they liked, so they decided to make one. First, the team delved into all extant texts on traditional brushes and brushmaking techniques … that took about five minutes. So, they bought and used all the brushes on the market to see what worked, what didn’t, and how they could improve on what’s available.

What they developed are 100-percent European Ox Hair brushes, which are handmade in New York by one of the few remaining brushmakers in the country. And they’ve captured the arcane craft on video; download it and find out more about the process.

— Megan Fitzpatrick

More information on finishing brushes from Gramercy Tools


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5/8/2007 4:12:01 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
 Wednesday, March 28, 2007
Glen D. Huey’s No-fail Dovetailing, Part 2: The Tail Board


Editor's note: The following is the second part of a three-part series on cutting through dovetails with a combination of hand and power tools. The first part, which involves the pin board, can be found through this link. Below is the second part. The third part will discuss how Glen developed the process for his custom shop.

With the pin board complete (click here for Part 1), it's time to transfer the shape of the pins onto the tail board. Lay your tail board face-side down on your bench. Line up your pin board at the end of the tail board, with the face side facing you (the narrow end of the pins should be at the front edge). Make sure the two pieces are flush at the front and sides.

Now trace the shape of the pins onto the tail board with a sharp pencil, then slide the pin board back and mark an “X” on the tail board directly in front of each pin (which is the waste area). Set the pin board aside.


Use a band saw to carefully cut along your lines on the waste side up to your baseline, leaving the pencil lines. As when you hand cut the pins, do all one direction first, then go back and change your angle for the other sides to avoid dancing back and forth at the saw. Now trim off the half-pin waste at the edges of the board. Also, make a cut down the center of each waste area (this will keep the waste from getting stuck as you remove it with your chisel). If you don’t have a band saw, you can make these cuts with your handsaw, though you’ll likely have more fitting issues unless your saw skills are dead on.


Clamp the tail board to your workbench (it doesn’t matter which side is facing up. Again, place your chisel just a hair in front of your baseline, with the bevel side facing the end of the board, and angle the chisel a couple degrees to undercut the joint. Strike once to define the baseline, then chisel out the waste. Unlike on the pin board, you won’t be able to remove the waste directly from the end; you’ll have to approach it at an angle at a point about 1/8” from the baseline. And remember, the bevel of your chisel should face up with this cut to help lever up the waste. Continue these two cuts until you’re about halfway through the board, then flip it over and repeat the process on the other face. The cut you made down the center of the waste will help eject. Clean out any remaining bits of waste on both workpieces with your chisel or an X-Acto knife.


Now you’re ready to test fit the two pieces. Place the tail board face-side down on the bench, and hold the pin board with the face side facing you. Walk the two pieces together until they’re about halfway joined. If you have any fitting problems, take them apart and trim away the bits that are sticking. And you’ll likely have fitting problems…even after some practice. It’s better to undercut then go back and refine where necessary than to overcut and cause gaps (as you can see I did on the second tail in the lead photo – oops). Once you have the pieces halfway joined by hand, a few strikes with a rubber mallet should seat the two workpieces together.

Inspect your work carefully, and identify any problems. You can work on those next time. Heck – after three weeks of almost daily practice, I’m still struggling with hitting the baseline perfectly on both sides when hand sawing, and I still overcut my tails from time to time. But as Editor Chris Schwarz keeps telling me, “It’s good enough for 18th-century casework” (because 18th-century woodworkers covered the visible dovetail faces with trim). Despite the wee gap, the dovetails will hold. Nonetheless, I’m going to keep working on those baselines.

 Megan Fitzpatrick with Glen D. Huey


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3/28/2007 10:30:13 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [1] 
 Friday, March 23, 2007
Glen D. Huey’s No-Fail Dovetailing – Part 1



First, grab a long piece of wood, and chop it in half (5" wide is a good place to start and at least 6" long after cutting – you’ll need plenty of clamping real estate). Pine is a good choice to start with, because it has a high “mash factor,” which means it’s a little more forgiving on fit than say, oak. Choose a face side on each piece and mark it with an “F.”

If you have a marking gauge, set the measurement by using the end of your tail board (as shown below), and scribe the baseline for your dovetails on both faces of the pin board. And if you don’t have a marking gauge, measure the width and scribe your baseline with a knife against a straightedge.


Now, take your pin board and clamp it in your vise with the outside face away from you. Following Glen’s method, you mark and cut the pins first, which makes it easy to mark the tails later on (we'll cover that in Part 2).

Place your dovetail marking gauge (Glen swears by a 12° gauge, but other angles are available) on the face about a 1/4" in from the left edge, and mark the edge of your first half-pin as shown below. Then, place your dovetail marking gauge about 1/4" from the right edge and mark the half-pin on that side.

Now, you have to decide how wide each tail and pin will be. If you’re working with a 5"-wide board Glen suggests three tail areas (two would be too easy!). Divide the wide edge of the tail area (the space between the lines) into three sections. Make a mark at the center of each section that will become the center of a pin. Don’t worry about being too precise with the placement though – after all, if they’re perfectly spaced, people might not believe you cut the dovetails by hand!
Mark the pins with the dovetail gauge by moving 1/8" each direction from the marks.


Now transfer the lines down the face of the board to your scribe line using a combination square, as shown at right. You don’t have to mark the lines on the other face of the board, but you may find it helpful, at least until you get a little sawing practice in. Clearly mark the waste areas with a solid X, so you can tell at a glance what material you’re about to clean out.


Place your saw just outside the front inside corner of the left pin (which is its right edge), using your thumb as a guide. Always leave your line…but nothing more (it gets easier with practice).




You want the saw at a steep angle – the goal is to hit the back edge and the scribe line at the same time. Once you’ve hit the baseline in the front, angle the saw up and keep sawing, until the saw is parallel to the floor and you’ve hit the baseline on both sides. Go slowly and check your progress on the opposite side of the board (that’s where the additional lines come in handy). Stop when you reach the baseline.

Move on to the right side of the next pin, then the next and so on, until you’ve cut the right side of all your pins. Now go back and do the left sides. And always remember to “leave your line.” Why do all one side first? That way, your saw stays at the same angle for several cuts in a row, so you’re not having to constantly adjust the angle back and forth. It’s more efficient, and it helps build muscle memory.

Once you have all your pins cut, chop out the waste. Clamp the piece with the wider side of the waste area (the tail sockets) face up (you may want to put a scrap pieces between your workpiece and your bench). Place your chisel just a hair in front of your baseline, with the bevel side facing the end of the board, and angle the chisel a couple degrees to undercut the joint (make a slight concavity in the center of the waste areas), which will ensure there is no waste material remaining to interfere with the fit of the dovetail.

Because of the slight angle, your first mallet strike will drive the chisel into your baseline, and define the back edge of the tail area. Now, you’re ready to pop your first bit of waste. Place your chisel, bevel side up, at the upper edge of the end-grain area you’ve just chopped, and tap sharply with your mallet. The chisel should bite into the wood and lever up the waste. Now go back to chiseling the face of the board, again angling it just a few degrees, and give it a few sharp whacks with your mallet. Then chisel out the waste. Continue until you’re about halfway through the board, then flip it over and repeat the process on the other face. Work carefully on this face; the area is narrow so it’s easy to knock off a corner of the pins when removing waste and that shows in your dovetails.

Now your pin board is finished. We’ll move onto the tail board in the next installment.

– Megan Fitzpatrick & Glen D. Huey



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3/23/2007 12:47:18 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [8] 
 Monday, March 12, 2007
The End of L-Brackets



After a few months as part of the Popular Woodworking staff, I started bugging the guys to teach me a little something about woodworking, beyond the few skills I picked up from wandering through the shop and asking questions. By that time, I’d learned just enough to be wholly embarrassed by the bookshelves I built 15 years ago out of #2 pine and L-brackets. My seven versions of “The Complete Shakespeare” deserve a better home. They deserve sliding dovetails – or at least a rabbet or two, for goodness sakes!

So Bob Lang was kind enough to teach me and several other non-woodworker staff members how to build the egg crate shelves he made for one of our first “I Can Do That” projects (August 2006). Then Chris Schwarz helped me build my first two ICDT projects: whale tail shelves (December 2006) and an antique tool/toy chest (February 2007). Glen Huey taught me a couple cool tricks while helping me make some simple Shaker shelves (April 2007), and now I’m working autonomously on a canted wall box for an upcoming ICDT story.

Now, I’m eager to move beyond the basics of the ICDT projects (and my far-below-basic L-bracket bookshelves) and tackle something a little more challenging. Such as the hand-cut dovetails I gave up on after but one try, almost a year ago. (Eventually, I hope to master sliding dovetails, and make an impressive set of bookcases using these tricky joints.)

I was intrigued by Chris’ February 2007 Out of the Woodwork, “A Dovetail a Day.” Therein, he extols the benefits of cutting one set of dovetails every day for one month. It sounds like a great idea, but as with any journey, that first step is the hardest. After all, there’s always another story to edit. Another reader with questions (which, by the way, we’re always happy to answer). Another meeting to attend. Another submission to consider. Another…

But last Monday, our power went out. No computers. No heating system. No phones. No table saws. Nothing to do but file papers or dig out from under the pile of paper that covers my desk. Or cut dovetails. Needless to say, I went with “cut dovetails.” Now herein lies the danger of having three expert teachers. Glen is a pins-first guy; Chris and Bob are tails-first guys. I’m whatever the guy standing next to me tells me to be. Right now, that’s Glen’s pins-first method, on Chris’ dovetail-a-day plan. (Bob likes to walk through the shop and ask, “Are you sure you’re holding that chisel correctly?” Well, no. I’m not sure. But I’m sure someone will be glad to tell me.)

Anyway, after a week of marking, sawing and chopping, my dovetails have noticeably improved. I truly think I could cut a case full of dovetails far more quickly than I could set up a jig to do it for me (and anyway, I’m rather afraid of the router). Last Monday, it took me around two hours to cut one set. By Friday, I could do the same number of tails and pins in a half-hour, and they looked far better. Not perfect, but better.

Last week, I used pine. This week, I’ll tackle poplar. And next week, cherry. Now I don’t know if I’ll be ready for curly maple at the end of my sentence, but I will certainly have learned my lesson, and learned it well. I’ll never use L-brackets again.

— Megan Fitzpatrick


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3/12/2007 2:30:15 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [6]