Subscribe | Renew | Give a Gift

Popular Woodworking Editors' Blog

Sign In  
Searched for : stlickley poppy
Going Around and Coming Around
One of my favorite movies is "Little Big Man". The characters spiral in ironic orbits that periodically intersect each other. Each intersection finds them more tattered as they age, and they appear when and where you least expect them. It is the only movie I ever sat through twice in the theater, and when seemingly unrelated elements of my life meet, I refer to it as a Little Big Man Moment. I had one of these the other day.

My wife and I were going through the 2007-2008 edition of the Lee Valley Hardware catalog, trying to find the right handles for our new kitchen cabinets. When we reached page 89, I said "wow, that is something special to see." What I noticed (and she missed) was mention of one of my books in the lower right corner of the page.  There's a bit of irony with the book and my kitchen remodel, but that's another story for another day.

Deciding to set aside the debate between brushed chrome and matte black until after the granite counters arrive, we moved to the sofa to watch some TV. During a commercial, my wife picked up a sales flyer that we'd received in the mail from a local furniture store. I kept glancing over to see, and when she got to the last page she said "wow, that is something special to see." What she noticed (and I missed) was a reproduction of Gustav Stickley's Poppy Table. The reproduction I made (for the December 2007 issue of Popular Woodworking) was about four feet away.


This was one of my favorite projects to build, and it is one of the favorite pieces of furniture in my house. The original was made in 1901, and is the opposite of what most people think of when they think of Gustav Stickley furniture.  It was a favorite among readers as well. I received more e-mail with pictures of completed tables than for any other project I've made for the magazine.

If you'd like a Poppy Table of your own, the back issue is available, and there is also a free SketchUp model available as part of our 3D Warehouse collection. I'll be talking about Stickley and other Arts & Crafts furniture designers at the Woodworking in America Conference later this summer.

Or, if you just want to buy a Poppy Table, there should be a dealer near you. Sometimes we can't get to the projects we like and have to resort to buying furniture. As Old Lodge Skins would say "sometimes the magic works . . ."


--Robert W. Lang


Read other entries by Robert W. Lang
Bookmark and Share
Wednesday, May 06, 2009 9:47:25 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [3] 
Stickley Poppy Table Drawings Available
The Cover That Almost Was

Our December issue is on its way to subscribers and should be appearing on newsstands any day now. Sometimes we aren't sure what to put on the cover, and for this issue we thought that either Senior Editor Glen Huey's Shaker Workbench, or my reproduction of the Gustav Stickley Poppy Table would be good choices. We talked about it at length, had meetings, slept on it and still couldn't decide. In our collective minds we thought that it was a tossup, and rather than flip a coin or arm wrestle we decided to pass the buck and let the readers make the decision for us.

We sent an e-mail to about 10,000 readers asking them to make a choice between the two cover images. What you see to the left is the cover that would have been, had it not been soundly defeated in the voting. Glen's workbench won by a margin of 3 to 1. What was more interesting than the numbers (at least to me) were the comments left by readers on why they voted the way they did. A good number of the readers that chose the bench did so because they are in the process of gathering tools and setting up a shop so that at some point in the future they can do some woodworking.

It bothered me that people are putting off making stuff until they think they have enough tools and their shops are perfect. For me the joy of woodworking is in the working. I've been at this a long time and I know I'll never have all the tools I want or have the shop exactly the way I want it. But I make stuff with what I have. Part of this project was made in our well equipped shop here at the magazine, but I did the carving out on my patio at home. An old WorkMate held the work and I only used a few tools as my ancient cat slept nearby.

So I'd like to encourage all our readers to go ahead and tackle the project you think you're not ready to take on. If you're just starting out, I'd recommend our "I Can Do That" column, where we make nice looking projects with just a few tools. Glen's bench is another great project if you're ready to build the last bench you'll ever need. As for the Poppy Table, it may not have won the popularity contest, but it was interesting and challenging for me. If you'd like to build your own, we have a downloadable PDF file so you can print the same full-sized drawings that I used. We're charging a small fee, but it will save you a lot of time.

Click here to download the drawings.

--Bob Lang



Read other entries by Robert W. Lang
Bookmark and Share
Thursday, November 08, 2007 3:27:16 PM (Eastern Standard Time, UTC-05:00)  #  Comments [13] 
Stickley Poppy Table-Living on the Edge(s)

In every project, there is at least one process that takes much longer than expected. It doesn’t matter if it’s the first piece of furniture you’ve made or the five hundredth, somewhere between rough lumber and finished furniture is the point I call “hitting the wall.” When I estimated commercial millwork projects and people asked how I figured labor hours, I told them it was simple. First, you figure out how many days something will take. Then you change days to weeks and multiply by three.

Work on the reproduction of the Gustav Stickley poppy table was moving right along when Christopher Schwarz and I had a Friday-afternoon conversation about how little tables were great projects. They don’t use much material, there aren’t any doors to fit or drawers to fuss with and they don’t take long at all. Then he left town for a week. On Monday morning, I hit the wall.



I readily admit that I, like most woodworkers I know, am really awful about predicting how long it will take to make something. On Friday, I was on schedule: The parts were all made, the joints were cut, my first dry assembly went smoothly. Over the weekend, the carving on the tops, where I usually get bogged down, took less time than I expected, and on Monday morning, it took less than an hour to handplane and scrape all the flat surfaces to a shimmering smoothness. And then I began to work on the edges.

What I neglected to consider was that even though the table is small, the actual length around the perimeter is a long and twisting road. Getting any one area smooth was easy enough. Band saw and router marks were removed with a rasp. Rough rasp marks were removed with a smaller modeler’s rasp, and a cabinet scraper and #240-grit Abranet took care of the rest. The problem was compounded by the shape of the top, shelf and legs. Each turn meant a different direction to the grain. The little buds on the legs, and the cut-outs at the top of each leg went from edge grain to end grain and back again several times in just a few inches.


I planned on a Danish oil and wax finish, and wanted the edges as smooth as the top so that the color and texture would be consistent. Each different type of grain and each transition between grain types meant a slightly different approach, or a different angle of attack. The tools that worked well in some places would not fit in others so I had to improvise with a different tool or work backward or upside down. When I put the first coat of oil on the table, I was happy with how it looked, but at the same time relieved that it was over.

The back door of our shop opens to the loading dock for our building. I like to work next to the open door for the fresh air and good light. The loading dock is also the quasi-official smoking area for the building, and the smokers like to peek into the shop to see what’s going on and to shoot the breeze. More than one asked me in the afternoon if I was still working on the same leg I had been working on in the morning. As the table got closer to completion, they became more complimentary, saying it was looking good and that I was really talented to be able to make something like that.



The ego boost felt good, but as the smokers went back to bookkeeping and planning production schedules and making calls, I trudged on around the edges. I had plenty of time to think, and I realized that talent or skill doesn't have much to do with it. What's important is keeping at it and staying consistent. Making an edge smooth is a basic woodworking task. When I was learning the trade, I was put to work making things smooth. When I had my own shop and hired someone, the new helper’s main task was the same chore. It doesn’t take much time or innate ability to learn to hold a tool or abrasive to the surface and push or pull until it is nice and smooth. It takes something else.

The nice sounding word for what you need is perseverance. The honest word is stubbornness. I wanted the edges and the curves of this thing to have the same buttery appearance and feel as the flat surfaces of the top and legs. Sometimes it takes a lot of tedious work to get what you want. If I deserve any kind of compliment for this little table, it’s only because I stubbornly kept going long after I became bored and tired. My wife tells me I’m the most stubborn person she’s ever met. I’m inclined to agree with her, after I explain to her that in my family, we identify that character trait with the word nobility.

Robert W. Lang


Read other entries by Robert W. Lang
Bookmark and Share
Friday, September 14, 2007 4:29:49 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [2] 
Stickley Poppy Table-Chisel in One Hand, On/Off Switch in the Other

When my son was in Cub Scouts, we went on field trips on Saturday mornings. One week we went to the woodshop of one of the kid’s grandfathers. It was a nice two-car-garage-sized building behind his real garage; in other words, a dedicated well-equipped shop. The boys went to work on a simple shelf, and after herding the group from the band saw to the oscillating spindle sander, Grandpa decided it was time to impart some wisdom. “If you want to get anything done, use power tools. There isn’t any reason to use hand tools any more. It will take you longer, and won’t turn out as good.” I didn’t say anything at the time, but on the way home I said to my son “you realize that man is a fool don’t you?” Hunter replied, “I was wondering when you were going to say something.”

When he was four or five we started making stuff together: toy guns and rubber-band powered boats for the bathtub. Our main tools were a coping saw and a spokeshave – tools he could handle safely without scaring his mother half to death. One of my proudest moments as a father came when we were at a festival watching a guy build a canoe. When the demonstrator held up a spokeshave and asked if anyone knew what it was called, Hunter shouted out the name and asked the guy if he wanted him to show him how to use it. He stepped up to the bench and, reaching up almost over his head, thrilled the crowd by quickly producing a pile of shavings and a fair curve.



I’ve never been able to understand why people try to divide woodworkers into two opposing camps, Normites versus Neanderthals. And I can't understand why anyone would buy into that and only work with one method to the exclusion of the other – power-tool users who will spend hours building jigs and setting up machines to avoid making one simple cut with a backsaw, or hand-tools users who claim some sort of moral superiority by chopping the waste from a dozen mortises by hand. I work with wood because I enjoy making things as well as I can. I don’t have as much time in the shop available as I would like so I want to work efficiently, but I don’t want to compromise the finished product. I consider myself fortunate that the men who taught me how to work with wood had a well-developed sense of when to pick up a router and when to pick up a plane.

The project I’m working on, a reproduction of a Gustav Stickley “Poppy” table is an excellent example of what our publisher, Steve Shanesy, calls “blended woodworking” – using power tools and hand tools together. This is a curious little table. It has five legs, which makes it an interesting engineering problem as legs and stretchers, a shelf and a top all need to solidly connect. At the same time it’s an artistic expression. Every edge of the finished piece is curved, and the flat surfaces of the top and shelf are interrupted by sweeping carved curves. One of the parts, a pentagon-shaped hub that connects the legs and supports the top, is very small, but getting it the exact size and shape and fitting the joints is the keystone that holds the whole table together. This little block of wood will make the table straight and solid if it is right – or wobbly and twisted if it is less than perfect.



Because of its small size, I chose to cut the shape on the bandsaw, shoot the edges with a plane, and cut the dovetail sockets by hand. It is just too small to safely cut on the table saw and I couldn’t come up with a way to clamp it down and move a router in. I removed much of the waste in the sockets with a Forstner bit on the drill press. I could safely hold it to the drill-press table, and this made a flat reference surface at the bottom to guide the chisel. There are also dovetail sockets at the top of each leg. There, I used a small router with a fence to establish a straight back and flat bottom, and a few quick chisel cuts defined the acute corners where the circular router bit wouldn’t reach.

I spent a few hours over the weekend refining the curves of the top and shelf with some rasps followed by a cabinet scraper. It was a lot of fun. I worked out on the patio, enjoying some fresh air and not annoying the neighbors (at least with my woodworking). The band-saw marks disappeared rather quickly, I recognized that many of the curves matched the profile of the rounded side of the rasp, and the scraper left a very nice surface. I thought about the old man who thought power tools were the answer to everything, and wondered how he would shape this edge. Later today, I’ll be shaping the legs. They’ve been rough cut on the band saw, and I’ll use a template (shaped and refined with my rasps) and a router to make them all symmetrical and identical.



Then, I'll finish carving the top by hand, scrape the flat surfaces smooth and gently round all the edges. I'm still up in the air about that last step; I might use a router and I might use a rasp. Woodworking is like solving a puzzle. Between the raw material and a finished piece, it’s all  about choices: how to do this, why do that, what will create the best result in the least amount of time. If you eliminate half the options before you start, you eliminate half the fun.

Robert W. Lang


Read other entries by Robert W. Lang
Bookmark and Share
Tuesday, September 04, 2007 2:18:46 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [3] 
Google Sponsored Links
Sponsored Links