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 Friday, February 15, 2008
Finishing Seminar with Bob Flexner

Popular Woodworking contributing editor and finishing guru Bob Flexner is leading a two-day finishing seminar June 21 & 22 at the Marc Adams School of Woodworking in Franklin, Ind. A few seats are still available.

This seminar will give you a thorough understanding of wood finishing, and help you overcome any finishing trepidation you might have. Through a combination of lecture and demonstration, Bob will show you how to properly use brushes and spray equipment, how to prepare your projects for successful finishing and how to choose the best finish for your work. Then, you’ll learn the best applications methods for a wide variety of finishes, including pigment, dye stains, shellac, polyurethane and more – plus you’ll find out how to overcome specific finishing challenges, and discover how keep your finishes looking new for years to come.

To register ($250), click here. For more information, visit the school’s web site at marcadams.com, or call (317) 535-4013 .

— Megan Fitzpatrick


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2/15/2008 3:37:58 PM (Eastern Standard Time, UTC-05:00)  #  Comments [0] 
 Wednesday, February 13, 2008
Bikes of Wood

I’m not a big exerciser.  I don’t like to lift weights, jog in the dark or ride bicycles for enjoyment. And, if you’ve had the opportunity to meet me at one of the woodworking shows in which I’ve participated, or if you’ve scrutinized the photos in my articles, you’re probably thinking, "it’s obvious he’s not into exercise." Maybe that’s why I’m on the larger side of average.

What’s all this have to do with a woodworking blog entry? In the past few days I had a web site brought to my attention – that of a builder who uses computer numerical control (CNC) machines to create bikes.

Normally, you would have to promise me a slice of homemade pie to get me to look at a site dealing with bikes. But this is a bit different. Founded by Ken Wheeler, Renovo Hardwood Bicycles of Portland, Ore., makes the frames out of wood.

Renovo’s information-rich web site mentions ash, Brazilian cherry and purpleheart as a few hardwoods that are great for bike frames. I also found a mention of vertical-grained fir being used. Why wood? The company expounds wood's ability to dampen vibrations and stand up to abuse better than more typical bike-building materials. And bikes built from wood are lightweight – weighing in at 16 – 19.5 pounds, depending on the size.

These bikes are so light due to the fact they’re hollow (you have to love CNC machining). The Renovo frame is computer designed and machined, then the frame components are assembled, waterproofed and finished with paint and environmentally responsible polyurethane.

This past weekend Renovo Hardwood Bicycles exhibited at the North American Handmade Bicycle Show (NAHBS). In perusing the many web sites connected with the show (I started at this archived blog at bikeportland.org), I haven’t found much mention of Renovo. Maybe the unveiling was less than stellar, but dig around and you’ll see the competition was tremendous.

One interesting tidbit I did find is that the fifth anniversary of the NAHBS (2009), is being held in Indianapolis. That’s a short drive from us here in Cincinnati. I’ll plan to make the show – but only to see where woodworking and bike building cohabit. Not because I’ll be into exercise.

If you were in attendance in Portland this year and you have further information on Renovo or the show, please add your comment below.

Since the posting of this entry, I received this message from Mr. Wheeler in response to a couple questions. Below is his message:

"The Hand built show was our first public exposure, and the bikes were well received. We've been profiled on most bike web sites and are swamped with interest and orders. People like the wood concept, as well as the sustainability," writes Wheeler.

"Frame prices start at $2000 and depend on the type of rear end, wood, configuration, etc. We use select hardwoods whose mechanical properties meet our stiffness and hardness criteria.Typically Jatoba, Ash, Maple, Hickory, Black Walnut, Brazilian Walnut and others.We have used Douglas Fir which is stiff enough, but which also dents easily because it is so soft. The machining process is complex, requiring 6 separate operations, and the hand finishing and bonding is considerable. It takes up to a week to complete a frame."

– Glen D. Huey



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2/13/2008 2:25:23 PM (Eastern Standard Time, UTC-05:00)  #  Comments [7] 
 Monday, February 11, 2008
How Do You Hold a Drill?

The other day, Senior Editor Glen D. Huey came over to my desk with a small cordless drill/driver from Milwaukee Tools. Glen asked if I would try it out and write a review of it for an upcoming issue. I've been using similar driver/drills from Bosch for several months, and I like the concept of a small driver with good power and the new Lithium-ion battery technology. When I built custom cabinets on a daily basis, drilling holes and driving screws was probably the most repeated task. After lifting a relatively heavy 12v drill and driving tens of thousands of screws, my wrists have sustained some wear and tear, so for me, lighter is better.

Glen mentioned that he had heard one complaint about the new Milwaukee driver – that the forward and reverse switch was easy to bump inadvertently while using the drill. He picked up the drill and with his index finger on the trigger, showed me how the switch was up against his finger. I took the drill back, and held it the way I would in using it, with my middle finger on the trigger and my index finger extended. In the picture to the left, the switch is in between my two fingers.

Glen mentioned that he never held a drill that way, and I told him I always hold one that way. Becoming curious about the difference, we did what we normally do when we have a disagreement about techniques. We got everyone in the office involved, handing people the drill and trying to get them to take sides.


Those of us who held the drill with the index finger extended compared it to the way a handsaw is held. Most saw totes are designed so that three fingers will fit, but four won't. This method offers several advantages that aren't immediately obvious until you try it. The wrist is more relaxed and less prone to stain. This more comfortable position leads to better control.
Japanese saws aren't really designed this way, but I find myself extending my finger anyway. The extended finger is, I think, one of the key elements to good hand/eye coordination. It makes a connection between the brain and the hand that moves the tool where you want it to go, and provides better feedback.

I hold a plane in a similar way, even though I'm not trying to hold it to a specific line. Extending the finger changes the angle between my hand and wrist, allowing for more finesse with a lighter touch. This is really an ingrained habit in me, so much so that I tend to grab everything this way. In the picture above I also have the index finger of my left hand extended. My only complaint about some of the planes we have in our shop is that there isn't an obvious place to rest the extended finger.

A drill isn't the only power tool I hold this way. I knew I extended my finger when using a jigsaw, as does contributing editor Troy Sexton, who recommended this technique in an article on using jigsaws in the October 2006 issue. If you click on the link, you'll see Troy holding the saw in a similar fashion. I decided to check through our photo archives to see other situations where I stick my finger out.

Here I am with a biscuit joiner, and I would be hard pressed to come up with an argument justifying the index finger position, other than it might be more comfortable to my wrist. Generally it is thought that the extended finger helps in aiming, and with certain tools that is obvious. In this case I think it may be just my habit.

Here is another example that surprised me, but this one I can rationalize. I'm cutting curves in the photo, carefully following a pencil line. I'm steering the work with my right hand, and the way I'm holding the wood gives a great deal of control without forcing the work through the blade. It's also easier to change my hand position as I near the end of the cut to keep my fingers out of the blade. If I had a death grip on the wood, and were pushing harder, the chances of damaging my digits at the end of the cut would be greater.

So I've discovered I have a habit of holding things a certain way. It surprised me some that this is so pervasive, and it also surprised me that I may have a habit that isn't bad (as most of my habits are). This is a basic thing, something that most of us never think about. But if you struggle with controlling tools, or you tense up and your wrists get sore when you work, give it a try. Let me know how it works for you by leaving a comment.

I also hardly ever miss my mouth and pour coffee down the front of my shirt. At least when I'm holding the mug this way.

--Bob Lang

Read other entries by Robert W. Lang
2/11/2008 11:25:37 AM (Eastern Standard Time, UTC-05:00)  #  Comments [15] 
 Wednesday, February 06, 2008
New Company Selling Kits to Build Infill Handplanes

Legacy Planeworks officially opened its doors on Tuesday and began selling kits that allow a home woodworker with no metalworking experience to build an English-style shoulder plane with naval brass sides, a steel sole and an exotic wood infill.

The company currently offers two sizes of shoulder planes – 1" wide and 3/4" wide – with prices starting at $425. And two more infill kits are on the drawing board: a chariot plane and a Norris-style A6 smoothing plane with a mechanical blade adjuster, says Marty Sivar, one of the owners of the company.

The kits have been in development for many months, Sivar says, and the parts are so finely machined that you can literally snap the metal dovetails in place when you take the parts out of the box.

"We wanted to offer a refined kit," Sivar said today in a phone interview, "not something you had to spend hours prepping the parts for assembly and cleaning them up."

The kits come with all the metal components you need (even the drill bits for boring the wood components). The home planemaker will need a ball pien hammer, a steel plate (or anvil) and a handful of files to complete the project, Sivar says. Legacy Planeworks also sells all the files required for planemaking on its web site: legacyplanes.com.

Some woodworkers might remember the kits that were sold by Shepherd Tool, a Canadian company run by two partners outside Toronto. After Shepherd's early success with its first Spiers-style smoothing plane kits, the company ran into some rocky times and shuttered its doors in early 2006 with a crowd of angry customers who were upset about a variety of problems, from not being able to get technical questions answered, kits that were missing parts, and credit cards that were charged with merchandise never shipped.

Sivar was one of those angry customers of Shepherd, and he said he and his partner, Ernie Barber, have set out to make sure that Legacy Planeworks is everything that Shepherd Tool was not.

Sivar says that the company's web site will not sell you a kit unless there are more than two in stock, and that every order will be shipped within two or three days of it being placed. Plus, Sivar says that Legacy now has plenty of kits on hand to sell right away (one of them is heading for our office for a full review, by the way).

The kit components for a Legacy shoulder plane (both photos courtesy of Legacy Planeworks).

Every kit has a money-back guarantee and includes a 52-page instruction manual that includes many step photos that will walk the planemaker through the process. The manual, Sivar says, has taken a long time to develop and has been through many revisions to make the instructions as complete and foolproof as possible.

"I think our customers will be very satisfied from the minute they open the box," Sivar says.

Sivar has experience both as a woodworker and a metalworker. He started his career as a machinist and then went into the military. After a short stint as a corporate pilot, Sivar completed some marketing and management training and went to work for a petro-chemical company, where he is now an area manager and nearing retirement. Barber works in law enforcement and is an accomplished woodworker and carver who specializes in 18th-century furniture.

Sivar says all the plane components are going to be professionally made by other metalworking companies to Legacy's specifications; that will leave Sivar and Barber to focus on working with current customers and developing future products.

Personally, I'm quite pleased to see someone getting back into this business. I built several of the Shepherd kits, including a couple smoothing planes, a chariot plane, a shoulder plane and a panel plane. Despite the glitches (my kits were missing critical parts, too) the overall experience was fun and you learn a lot about plane mechanics by building one of the tools.

I think it's especially encouraging that Legacy has started out offering just the shoulder plane kit. Of all the kits I built, that one was the easiest to complete and will likely give would-be planemakers a good taste of the process.

In the coming weeks, I'll post photos of the new kit and my progress building it.

— Christopher Schwarz


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2/6/2008 12:51:45 PM (Eastern Standard Time, UTC-05:00)  #  Comments [1] 
 Tuesday, February 05, 2008
Auriou Rasp-makers to Re-open in France

The venerable rasp-making company Auriou plans to reopen its factory in France this summer after being shuttered by a labor dispute, officials said. The closing of the company resulted in a purchasing frenzy of the rasps by woodworkers that continues to this day – one Auriou flat rasp sold for $600 on eBay today.

The new Auriou will be a smaller company that will focus on making tools for the woodworking and stone-working market, according to Mike Hancock of Classic Hand Tools in the United Kingdom. After the factory begins production, there are plans to begin exporting the rasps to the United States, Hancock wrote in an e-mail.

Hancock was part of a small group of investors that purchased the machinery and tooling from the Auriou factory when it was auctioned off. Michel Auriou, who ran the factory, will be the technical and workshop manager for the new company, according to Hancock.

In addition to the machinery and tooling, Hancock's company also purchased a selection of finished rasps and rifflers during the auction that he will be selling beginning on Monday, Feb. 11. To get a list of the tools (mostly rifflers) send an e-mail to sales@classichandtools.co.uk and ask for the "rasps & riffler list."

— Christopher Schwarz


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2/5/2008 9:03:03 AM (Eastern Standard Time, UTC-05:00)  #  Comments [0] 
 Monday, February 04, 2008
Plunge-cut Saws Available in Europe

Has Festool started something big? Is it a new revolution in woodworking? No, I’m not referring to the Domino. That’s old news. Today, I’m writing about Plunge Cut Saws – saws that have a riving knife and so much more.

When the Popular Woodworking team was in Las Vegas for AWFS (Association of Woodworking & Furnishings Suppliers®), we wrote about the invasion of riving knives. We specifically were discussing table saws. But, handheld circular plunge-cut saws fit the bill too.

At AWFS, we spent a great evening with Delta/Porter-Cable. After dinner and entertainment, we were allowed to look at and touch the new tools on display, and talk with company employees about them; these were tools not released at the time. One such tool was a plunge-cut saw. I held the tool in my hands and felt the balance, and looked at the plunge action of the blade. It was very similar to Festool’s TS55EQ saw and the plan was to release the new Delta/Porter-Cable version in Europe sometime in early 2008.

A few weeks ago, I had the opportunity to use a TS55EQ (325 British pounds, US$481) for some work around my shop at home. I was overwhelmed at the ability of the saw. The tool runs on a track which made my cuts on plywood dead straight, and the finish cut was smooth and clean. I was so impressed that I assembled my information and thoughts into a Tool Test column for the April 2008 issue of Popular Woodworking (due to ship to subscribers this week and on sale at newsstands Feb. 26.) I highly recommend the TS55EQ.

Today, it was brought to my attention that a couple other companies have released or are releasing a handheld plunge-cut saw to the market – the European market. Makita has a plunge-type saw out in the U.K. while a DeWalt version is “Coming Soon.” Are they worth the investment? And, how do they stack up to a Festool saw?

Makita has released the SP6000K. It’s a 165 mm plunge saw that boasts a 1300-watt motor and a 55mm (2-1/8") depth of cut at 90º.  The SP6000K1 includes a 1.4m (nearly 55") guide rail and is priced at 239 British pounds (US$354). Click here for information.

DeWalt ramps up the choices of the plunge-cut saw to work with other tools in the DeWalt line. You can get a plunge-cut saw (DC351KL) with a 28v Li-ion battery (DeWalt’s nano technology battery) an 18v battery comparable with Dewalt’s XRP line (DC352KB) or you can revert back to the old days and purchase a corded version (DWS520K). The only pricing I could find was for the DC351KL. DeWalt’s saw is priced at 509.79 British pounds (US$756.00). Click here for details.

We couldn’t get any information about possible U.S. release dates or how  sales are in the U.K. market. If and/or when we get more news, we’ll let you know. In the meantime, check out the new saws. Maybe your next circular saw should be one with a riving knife that runs on a track. I hope each company has a released planned for the U.S. market – I can’t wait to get hold of each of these new saws.

What do you think? Is this saw strictly for plywood and sheet goods? Or, can you see using this set-up for all your circular-saw needs. Post a comment, but keep your eyes open for more information.

–Glen D. Huey


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2/4/2008 2:49:39 PM (Eastern Standard Time, UTC-05:00)  #  Comments [6] 
 Monday, January 28, 2008
New PVA Glue from The Gorilla Glue Co.

Gorilla Glue will release a new polyvinyl acetate glue this month that is designed to compete directly with the woodworking mainstays, Titebond and ProBond glues. The new Gorilla Wood Glue is a water-resistant species, looks like a white glue and boasts a shorter clamping time than its competitors.

I've been using the glue for a couple months now, and have been generally impressed with both the glue and the bottle, which is an often-overlooked detail.

Here are some of the important stats on the glue:

• It is called a "Type II" adhesive, which means it's water-resistant, but not waterproof. Build kitchen cabinets from it, but not a dock at the lake.
• It has a stated clamping time of 20 minutes, which is 10 minutes less than the competition. If you are in a hurry or in a professional environment, this can be a big plus. We like to keep our assemblies in the clamps as long as possible.
• The color of the Gorilla Wood Glue is white, which is nice when dealing with gluing light-colored woods.
• The viscosity is about the same as its water-resistant competition.
• The glue nozzle is almost identical to that on Titebond's product. We're fond of this nozzle because it will stay clear of dried glue for a long time (if you remember to close the nozzle after each use).
• The glue will be available in 8 oz. (expect a retail price of $3.99) and 18 oz. (about $5.99) sizes.

After some small-scale tests in December, I used the Gorilla Glue last week on five maple panels I am gluing up for a blanket chest project. The glue lays out nicely like a quality PVA should. It cleaned up easily with water and set up fairly fast – this is a big asset when gluing up lots of panels.

When it dried, it was more like a light khaki color, instead of the familiar darker yellow we're used to from PVAs. The glue line just disappeared in the maple. The Gorilla Wood Glue is now quite welcome in our shop here at Popular Woodworking, where we will be testing it during the long term.

— Christopher Schwarz


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1/28/2008 12:58:15 PM (Eastern Standard Time, UTC-05:00)  #  Comments [10] 
Subscribe by Feb. 1 to Get Woodworking Magazine Spring 2008

This Friday – February 1 – is the last day to subscribe to Woodworking Magazine to ensure you get the Spring 2008 issue delivered right to your door.

Inside, the Spring issue, you’ll find plans and step-by-step instructions for building two Stickley Tabourets, as well as technique articles on understanding backsaws and learning how to use a handsaw properly for the best results. Plus, we investigate and test the various methods for cutting perfect circles and settle on the best technique. You’ll also find plans for a handsome circular cutting board, and discover how to apply glaze for the best results.

Coming up in the Summer issue (on which we’re now hard at work!), we take a look at finger joints, and how to cut them better and cheaper – no $300+ jig or table saw needed – you can make your own jig out of plywood and get perfect results!
 
Then, we use the finger joint to build an adaptation of a Shaker blanket chest and a sea chest with tapered sides.  Plus, you’ll find technique articles on trimming end grain with both hand tools and power tools, and step-by-step instructions for producing an aged painted finish. You’ll also find a review of woodworking screws – and will likely be surprised by our conclusions (the most expensive aren’t the best).



Make sure you don’t miss the Spring 2008 issue – click here to order your charter subscription to Woodworking Magazine by February 1.
— Megan Fitzpatrick


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1/28/2008 11:40:20 AM (Eastern Standard Time, UTC-05:00)  #  Comments [1] 
New Jacobs Chucks a Nice Upgrade for Cordless Drills

Like most woodworkers, we here at Popular Woodworking are fond of our cordless drill/drivers. So when two officials from Jacobs Chuck Manufacturing Co. showed up in our offices last week to show off a new aftermarket keyless chuck, they had our complete attention.

And it didn't hurt that the Jacobs officials also turned their little demonstration into a contest among the editors. First a bit about the new SoftGrip chucks, then I'll tell you about the contest.

The SoftGrip chuck replaces your stock chuck on your cordless drill, no matter if it's a 3/8" or 1/2" chuck, single-sleeve or double-sleeve. There are a number of advantages to the SoftGrip that are both obvious and unexpected.

The chuck is noticeably easier to close than a hard metal or smooth plastic chuck. And that's thanks to its soft, nubby, almost gummy-worm-like feel. You can really get a grip on the chuck to close it on the bit, which is great for anyone who suffers from arthritis or anything else that reduces his or her grip.

The soft grip isn’t just something molded onto the outside of the chuck. It's integrated into the structure of the chuck using a proprietary double-injection molding process, according to Mike Goodson, the core products development manager for Jacobs.

What that means for you and me is that the soft surface isn't going to peel off in use.

The SoftGrip can be lighter in weight than your stock chuck. For example, our stock Makita chuck weighs 9.2 ounces and the SoftGrip 3000 series chuck for that drill weighs 5.6 ounces. That weight difference is noticeable when you hold the drill and can also increase your drill's run-time by about 10 percent, according to James Hou, the product marketing manager.

However, the weight savings are mostly in the SoftGrip 3000 series of chucks, which uses more aluminum in its construction. The industrial version of the SoftGrip, the 6000 series, has more steel in its construction, which of course adds weight. Our stock Hitachi chuck weighs 9.3 ounces. The SoftGrip 6000 replacement weighs 10.2 ounces.

The only other consideration with the SoftGrip is that you have to get your old chuck off. Sometimes this is easy, and sometimes it is not, as I found out as I replaced the chucks on several drills. Here's the drill (sorry 'bout that): Remove the screw inside the chuck that secures it to the drill motor. It's a reverse-thread screw, so it's righty-loosey. Then you chuck a large Allen wrench into the jaws of the drill and knock the Allen wrench with a hammer to spin the chuck counterclockwise. This loosens the chuck and you then unscrew it off. Adding the SoftGrip is even easier (instructions are included).


Clamping the drill to the bench made it much easier for one editor to remove the chuck.

I had no problems replacing the chuck on our Milwaukee and Hitachi drills. Our Makitas gave us a little bit of a fight, but after a few love taps the chuck came loose. But the Ridgid drill simply refused. Everyone tried it last week (we even fetched former Senior Editor David Thiel – a brute – to try it). This morning Senior Editor Robert W. Lang and I gave it another try.

We got the chuck off, along with the drill's clutch assembly, spilling ball bearings everywhere. Not good. Perhaps our chuck was torqued on by a particularly sprightly robot. Who knows? So do take care when removing your chuck.

Now about that contest: The Jacobs officials had each editor tighten a stock chuck and measured how much input torque he or she managed to apply to the chuck. Then each editor did the same test with a SoftGrip chuck and measured the input torque, which was much higher. That means the SoftGrip gives you a better grip for the same amount of work. Here are the before-and-after numbers – though I've changed the names to protect the editors' identities:

1. Editor with Ponytail: Stock chuck: 83.7 in./lbs.   SoftGrip: 88 in./lbs.
2. Editor with Gloves On: Stock chuck: 83.1 in./lbs.   SoftGrip: 175.2 in./lbs.
3. Editor with Fiery Hair and Temper: Stock chuck: 47 in./lbs.   SoftGrip: 69.4 in./lbs.
4. Editor with "Little Girl Hands:" Stock chuck: 89.5 in./lbs.   SoftGrip: 176.1 in./lbs.

Bottom line: We like these chucks and are now testing them for durability in the shop. The chucks are now available from Home Depot and Lowe's for about $25 to $32, depending on the model.

— Christopher Schwarz


Read other entries by Christopher Schwarz
1/28/2008 11:06:32 AM (Eastern Standard Time, UTC-05:00)  #  Comments [20] 
 Friday, January 25, 2008
When Novice Woodworkers Hit a Bad Patch...

I have a long-standing aversion to traditional psychiatric therapy – but I'm of mostly Irish descent, have red hair, and the temper that goes with it. So, to deal with aggression, I turn to DIY projects around the house (plus, I'm cheap, and refuse to set the thermostat above 60° despite our current 14° temperature in Cincinnati, so the work helps keep me warm).

My last project was redoing my 1970s-style bathroom (I posted a picture of the shower in an earlier entry here). But that's about finished (I still have some trim moulding to run, but I've managed to overlook that for some time now).

When I bought my 1895 house seven years ago, the first thing I planned to do was tear out the nasty green carpet in the living room and dejected-looking parquet in the dining room and hallway, and lay down new flooring. So finally, after seven years of kvetching about the ugly carpet and sad parquet, I got started on it last Sunday. I began in the dining room, and when I got down to the original pine flooring, I was very excited. As you can see in the picture at the top (along with the tiny Christmas tree I have yet to put away), it's actually in pretty good condition, and I was fairly certain it could be sanded, refinished and made to look right pretty. So I called my floor guy and made an appointment for him to come over and take a look (I hate sanding – my skinflint nature halts abruptly when it comes to doing things I despise).

Then, I got started in the living room, dutifully cutting the carpet into 4' pieces and rolling them per the specifications of our local trash collectors. Underneath was a layer of Masonite, so I pulled all that too, along with what seemed like thousands of nails. And then I hit a bad patch. A very bad patch – literally. But hey, I'm a novice woodworker – how hard can it be to tooth in replacement boards? Simply cut out the bad boards at the joists with a circ saw, clean up the ends of the cut with a chisel, and nail a proper patch into place.



Well, like most of my crazy undertakings, it turns out to be harder than I expected – mostly because I need 100-year-old boards, so they'll match. I've scavenged material from the third-floor closet, where I'll put in new replacement boards (no one will ever see those), and started to cut the patches to size. But, the third floor has only 3-1/4" boards, and the living room is a mix of 3-1/4" and 4-1/4". If anyone knows where I can find 25-35 board feet of 100-year-old pine floor boards, please let me know. And if anyone has the name of a good psychiatrist....

— Megan Fitzpatrick

p.s. For the record, I wore gloves. But there was no jointer in sight.


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1/25/2008 11:05:57 AM (Eastern Standard Time, UTC-05:00)  #  Comments [8] 
 Wednesday, January 23, 2008
Don’t Use Push Pads or Sticks: Part 2

If you haven’t read the first part of this discussion (including the comments), please do so. Click here to jump to that entry.

As I wrote in one of my comments on the previous entry, I knew this would be a hot topic for the blog. And, I was right! Finally, the smoke has cleared a bit, so it’s time to stoke the fires again. If you please, I’d like to step up on my soapbox.

I’m amazed at the level of fear that woodworkers have for their power tools. I would never spend my well-earned money for a machine that frightened me each time I used it.  How could one comfortably get anything accomplished? Most of you do woodworking as a hobby, not for business. As a hobby, woodworking is supposed to be relaxing and guide you to your "happy place." If you’re worried about using the tools, you’re not going to arrive at your intended destination. Spend the time to understand the tools and what they can do.

One comment suggested that all power tools are inherently dangerous. Does that mean we should forgo power tools in favor of hand tools? Wait – hand tools can be dangerous as well. So, should we pass on using them, too? I believe that we’re told so often how dangerous woodworking machines are that we’ve reached a state of panic instead of simply being informed. These tools are no more dangerous than driving a car, being hooked to the Internet via a computer or walking alone on a dark street at night (think about it). You have to pay attention and not become complacent.

No tool is safe in the hands of someone who is not paying attention to what they’re doing. Operator error is the number one cause of accidents in the shop. We have to be responsible for ourselves.

Everything has a level of risk associated with it. How we choose to face that risk speaks volumes about our personalities.

Here are a number of points about the blog entry and the comments.
•    Gloves should fit snug on your hand. I once bought an under-sized pair and found the fit perfect for use at the jointer (shown in the photo).
•    As I stated, I use gloves only at the jointer – not at the planer or table saw, as some of the early responders hinted toward.
•    I never, as seen in the photo both here and in the previous entry, allow my gloves or fingers to extend over the edges of the lumber I’m jointing. This is why I set limits to the width of boards I run in this manner.
•    I cannot remember a time when I ran ¼” material over the jointer knives (nor can any of our other editors). To mill to that thickness, start with a 4/4 piece of stock, joint one face surface then move to a planer, band saw or table saw. If you find movement or twist after you’ve ripped to the desired thickness, you should finish with hand tools – or start over with a new board.
•    In reference to the above, I use kiln-dried (KD) lumber that has stabilized in my shop. In using air-dried lumber you should expect some problems in this area. I’ve run into it with KD stock too. I also never use boards with loose knots (a problem noted in a comment).
•    I’ve never had a piece of stock blow apart or jump from the jointer bed or become air-born. Perhaps this is a reflection of the lumber I’ve selected or, knowing the methods of work at the jointer (and each tool in the shop).
•    Replace worn gloves just as you would a dull saw blade or a dull blade in a utility knife. Do you check these other tools regularly or simply awake one day with the thought in mind? Don’t become complacent.
•    When I teach woodworkers how to use a jointer, I explain how things can go wrong using the machine, and how to use the push pads that come with the tools as well as designs for better devices (shown in Marc Adams’ article in the February 2008 issue of Popular Woodworking). Then I show them how I operate at the jointer with gloves. My students choose their preferred method based on their comfort levels.

I don’t want people to get hurt using woodworking tools. I also don’t want us to be afraid of these power tools, or any tools. We need woodworkers to have fun, complete successful projects and get the next generation involved in the craft.

–Glen D. Huey


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1/23/2008 2:19:31 PM (Eastern Standard Time, UTC-05:00)  #  Comments [35] 
 Saturday, January 19, 2008
New Podcast on ‘Workbenches’ at Woodworkers Resource

If you aren’t yet completely saturated with information on workbenches, then get comfortable and read on. Craig Stevens at the Woodworkers Resource has just released an hour-long interview of me about my book, my work at the magazine and the craft in general.

The interview is in mp3 format (it’s about 55mb) and can be streamed from most internet browsers. You can even save it to your hard drive and load it on an iPod. You can read more about the interview and start streaming it here – but be sure to check out the rest of the excellent site, which includes video, Craig’s blog, a newsletter and an eBook of strategies for teaching woodworking to kids.

Craig conducted the interview on Jan. 13 while I was in my shop working some frustrating bookcases made from sub-standard plywood (that long national nightmare is almost at an end, by the way). During our chat we discussed:

• How I got interested (read: freakishly obsessed) with the topic of workbenches.
• What a typical workday is like at Popular Woodworking and Woodworking Magazine.
• My favorite workbench (which doesn’t exist as of yet).
• The types of furniture and projects I build at home.
• A little bit about the future of my Lost Art Press web site.

Craig did a great job with the interview and kept it casual yet highly focused (I have a tendency to blather; just ask my kids). So thanks to Craig and I hope you like the interview.

— Christopher Schwarz


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1/19/2008 10:21:46 AM (Eastern Standard Time, UTC-05:00)  #  Comments [3]