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 Tuesday, July 15, 2008
Where, Oh Where are the K-Bodies Going

A few Mondays back, Popular Woodworking Editor Christopher Schwarz stopped by my cube on the way to his desk and asked what was going on with Bessey K Body clamps. I hadn’t heard anything in particular so I’m sure I looked a bit confused. Chris told me that everyone in his class at Kelly Mehler’s School of Woodworking was talking about K Bodies disappearing from the market.

Immediately, I sent out the Bat Signal to my contact at Bessey Tools. Sure enough, Bessey is doing away with the K Body clamp. That’s a shocker. But relax. The company is releasing a new K Body design – not just doing away with the clamp altogether. The new clamp is called K Body REVO. (I’m going out on a limb here and say that REVO is short for revolution but that’s my assumption.)

The REVO clamp is different. The major difference is that it has a larger clamp surface – some 30 percent larger. But when you glue up panels that are 3/4" thick does that larger area mean much? I think it does and here’s how. When I assemble 3/4" panels using this type of clamp, I lay the clamp head over it to gain as much use of the clamp’s face as I can. The new REVO is 3/8" longer when measuring from the bar up the clamp head. That’s not much, but it translates into better clamping action.

The handle is also different from earlier versions of the clamp (the new handle was actually introduced during the fourth quarter of 2007). I shied away from earlier-model K Bodies due to their slippery wooden handles; it felt like I couldn't tighten them enough to get adequate pressure with my glue-ups. The new handle is user-friendly. The grip is softer and I can get a firm hold on the handle and apply all the clamping pressure I need.

Also, the REVO comes with three pressure caps that can be interchanged with any of the REVO clamping surfaces. The company feels these pads are going to be popular in the marketplace because the cape are glue and paint resistant.

Finally, two rail protectors, made of an impact-resistant polyamide, elevate the workpiece off the rails. That’s less glue making contact with the ridges in the bars and that keeps the clamps easy to use.

In addition, Bessey also tells us about a new clamp coming out, called VARIO. But I'm told we have to wait to see it at the International Woodworking Fair (IWF) in Atlanta. You can bet we’ll stop by the Bessey Tools booth.

I teach at a couple Woodworks shows around the country and I always see woodworkers carrying those super-long K Body clamps at the show. Seldom do I need clamps with more than a 36" opening. What length clamps are best for your woodworking? And, what type of clamps do you use? Leave a comment and let us know.


–Glen D. Huey


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7/15/2008 12:58:58 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [6] 
Visit Woodworkers Resource for Preview Interviews of Woodworking in America

If you're not familiar with WoodworkersResource.com and its founder, Craig Stevens, well, it's worth taking the time to visit his site. Craig started Woodworkers Resource in 2005 after a decade of teaching himself woodworking though trial and error, and reading lots of woodworking books. His goal was to create a woodworking community and provide information and a source of inspiration for other burgeoning woodworkers, especially young people who are interested in getting started in the craft.

Three years later, his site provides top-notch advice on products, tips and techniques to improve your skills, a plethora of instructional and informational videos, and a list of some of the best woodworking resources on the Internet. Plus, Woodworkers Resource is an excellent reference for teaching woodworking to kids.

If you're coming to the Woodworking in America Conference in Berea, Ky., Nov. 14-16, you'll get a chance to meet Craig. And in preparation for the event, he's been busy interviewing many of the expert instructors who are teaching at the conference. Currently on Craig's site, you'll find his interview with the "Dean of Windsor Chairs" and founder of The Windsor Institute, Michael Dunbar. Next on tap is an interview with Bridge City Tool Works president, John Economaki. And in the coming weeks, Craig will post interviews with Adam Cherubini, Robin Lee, Tom Lie-Nielsen, Clarence Blanchard and Dave Jeske (and he's lining up more interviews as I write this).

You can listen to the interviews at his site (click here to hear what Michael Dunbar has to say), and sign up for notification messages when new interviews are posted. Plus, after signing up you'll be able to download MP3s of the interviews, so you can take them with you wherever your MP3 player can go!

— Megan Fitzpatrick


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7/15/2008 12:44:41 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
 Thursday, July 10, 2008
Error Repair: One Glitch in the 2000-2007 CD

One of the magazine issues on our 2000-2007 CD was damaged during our efforts to squeeze it smaller, and the text looks garbled or missing when you try to read it. So we're going to provide that issue here, free of charge, for you to download.

The damaged issue is the October 2003 edition of Popular Woodworking on the CD. You can download a repaired version by clicking here. Be aware that this file about 16 megabytes in size, so it might take a little time to download it depending on your connection.

We apologize for the error and hope this quick fix takes care of any problem you've experienced.

Download the October 2003 issue.

— Christopher Schwarz


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7/10/2008 10:58:32 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
 Tuesday, July 08, 2008
Shooting a Cover
Do you ever wonder what goes into creating a magazine cover? I got a chance to bring along our camera so you can join us on a trip while we photograph Senior Editor Robert W. Lang's new workbench. The results will be on the cover of the upcoming October 2008 issue.

You'll get just a taste of all the shenanigans that go into bringing you the stunning images that grace every issue of Popular Woodworking.


– Drew DePenning


7/8/2008 2:46:52 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [7] 
 Monday, July 07, 2008
Nov. 14-16 — What's a Non-woodworker to Do?

The 2008 Woodworking in America Conference is filling up fast – and we hear that a lot of you are bringing people along and making a mini vacation out of the weekend.

So what’s a non-woodworker to do while the sessions are going on? There’s quite a lot from which to choose.

The Berea Arts Council is hosting a number of how-to workshops from Nov. 14-16, ranging from Introduction to Lampwork Beads to Making Paper from Plants, to Coptic Bookbinding. You can check out everything on offer and register at the Berea Arts Council web page.

Plus, Shaker Village at Pleasant Hill – America’s largest restored Shaker community – is close by. There, visitors will find 34 original Shaker structures, more than 25 miles of striking rock fences and 3,000 acres of preserved land. It’s truly a stunning place and a must-see when in central Kentucky (in my opinion, the pulled cream candy is reason enough to visit!).

And of course, Lexington, Ky. Is less than an hour away, with it’s myriad nearby distillery tours, the Kentucky Horse Park, the Henry Clay Estate, the University of Kentucky Art Museum and many more attractions.

For those who prefer a sylvan setting, the Daniel Boone National Forest and Red River Gorge are also nearby, with hundreds of miles of hiking trails, a spectacular natural arch, stunning sandstone cliffs, winding rivers and more (I grew up in Kentucky, so you’ll have to excuse my bias when I say that the Red River Gorge is one of the most gorgeous places on earth).

There is plenty to do in central Kentucky – much more than we can list here. But if you have specific suggestions for non-woodworkers, we invite you to post them in our comments section.

— Megan Fitzpatrick



7/7/2008 3:30:20 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [1] 
 Monday, June 30, 2008
Bob's Bench – Completed Bench and Friendly Wager

Last Thursday I put the finishing touches on my new workbench, just in time for a Friday-morning photo session. The plan was to shoot on location, and editor Christopher Schwarz and I were discussing the plan. The one item not resolved was actually moving the bench from our shop to another shop with a more photogenic parking lot. Chris proposed moving the bench completely assembled, and I said "why don't we just take it apart and move the pieces? I think that will be easier."


His response was, "that will take 45 minutes or an hour; it will be quicker to just throw it in the truck." Never afraid to disagree with the boss, I said "It won't take that long, this will come apart in 10 or 15 minutes, and we won't need more than two people to carry the parts." We went back  and forth for a few minutes. "No you can't," "Yes I can" led to "No way," "Absolutely."

I don't remember which of us was the first to say, "Want to bet?," but the introduction of that phrase changed things from theoretical discussion to practical demonstration. The stakes were settled, and the time set for the following morning. As news of the contest spread through the office, it was mutually decided to record the proceedings on film and video.

When I designed this bench, I kept the component parts few in number. The two top slabs are held to the leg structure with four lag bolts coming up through the top rails on each end. With those bolts removed, the tops were placed out of the way on a rolling cart, and I went after the four lags that secure the lapped dovetails at the end of the upper rails. With that task accomplished, I put down the wrench and removed the boards that make up the lower shelf. Those pieces are half-lapped and simply sit on cleats attached to the rails. When those were removed and stacked, I grabbed the hammer.

I lifted the idea for the joints on the ends of the lower rails from an old drawing of a Nicholson bench. There is a dovetail-shaped slot in each leg, and half a lapped dovetail on the  end of each rail. The rails slide into the slots, drop into position and a wedge is tapped in from the outer side of the leg to lock the joint together. This is a surprisingly strong connection, and if the joints loosen over time all I need to do is reach down and give the end of the wedge a rap with my hammer. Tapping from the other direction removes the wedges, allowing the rails to move up and out. One of the wedges escaped my grasp and went scooting across the shop floot, costing me about 10 seconds of time to retrieve it.

Here's a look at the joints coming apart, and the two leg assemblies and lower rails were added to the pile. Elapsed time: 6 minutes, 30 seconds. Putting the bench back together is nearly as fast. It went back together for the photo shoot, and apart again for the return trip to the shop. At the moment it's not assembled. Another challenge has been issued, and we'll soon gather in the shop, stop watches and digital cameras at the ready, to see how fast an old man can move putting the bench back together.

Details on building and using the bench will be included in our October issue, which will be on sale around the first of September. In the meantime, there will be more about it here on the blog as I put it to use. I've enjoyed building this bench, and I'm looking forward to using it.

– Bob Lang




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6/30/2008 1:58:02 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [9] 
All Digital Back Issues 50 Percent Off (Plus Free Samples)

You can now download any issue of Popular Woodworking back to late 1999. No more sold-out back issues. Or waiting on the postal service for some project you need today.

To introduce you to this service on our site, we're doing a couple special things: First, this month we're running a special on our web site – 50 percent off all digital downloads when you enter the coupon code PWDD50. So all the back issues that normally cost $6 now cost $3. This special price is available until Aug. 1.

Secondly, if you've never tried reading a magazine digitally, we wanted to give you a small sample of what our downloadable pdfs look like. We think you'll like them. So download your free article, look them over, and then start shopping in our store. You can search for particular articles by browsing our Article Index. Once you find what issue you're looking for you can visit our shopping site to make your purchase.

Here are the free samples:

The Way Wood Works by Nick Engler
This great piece will finally clear up any confusion you might have about flat-sawn, quarter-sawn or rift-sawn lumber. Plus, you'll learn how to calculate how much room to leave for wood movement when building.

WayWoodWorks.pdf (470.44 KB)

10 Tricks for Tight Joints
We canvassed our staff members to find their favorite little workshop tricks for tightening up their joinery. Learn how packing tape can tighten a miter. And how you can clamp any assembly with a biscuit and a pocket screw.

Tricks_Tight_Joints_6p.pdf (1.24 MB)

Handsaws: West vs. East
Have you ever wondered what the difference is between Western saws and Eastern saws? It's not just that one cuts on the push and one cuts on the pull. They are fundamentally different tools with their own sets of plusses and minuses.

Saws_West_vs_East_6p copy.pdf (1.2 MB)

Pdfs are great for many reasons. You can search them. They're portable (take them on your laptop) and you can print the pages you need out and take them to your shop. And they don't take up acres of wall space.

— Christopher Schwarz



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6/30/2008 11:56:18 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [2] 
 Friday, June 27, 2008
Goodbye Old Unisaw

How about this news? Delta is introducing a new version of its flagship table saw, the Unisaw. That’s probably not such big news since at Delta’s big AWFS event last July in Las Vegas an early prototype was shown (click here for videos from the show). But here’s the real news: This saw is to be built in the United States. Could we be looking at a turning point in woodworking machinery? Could this be the beginning of a swing back to "good ole US of A" manufacturing?

The saw isn’t just to be assembled in the States; the plans are to build it here, too. Delta’s updating a plant in Jackson, Tenn., for the Unisaw, and some parts, such as castings, are coming in from Wisconsin.

There’s not much more information to tell as of yet, but I can tell you that the controls for raising and tilting the blade are on the front of the saw. And when officials showed the prototype in Las Vegas in 2007, the controls were digital. I’m not sure if that feature will remain on the final version, but it would certainly be a change from the standard. Also, I’ve been told the new saw will have a look similar to the new Delta dust collector design, a bit higher price point (which is to be expected when you upgrade the trunnions to be beefier), and, of course, a riving knife.

I wonder why are we seeing this move back to U.S. manufacturing. Maybe this is due to higher oil prices? How's that, you ask? It once cost $3,000 to bring a container over from China. Today that number is closer to $8,000 (depending on where oil prices are when you read this). If you can squeeze around 75 table saws into a container, that adds about $65 to each saw. This is one example. There must be more.

In the coming months more information will come from Delta. I hope there’s a working prototype at the IWF show in Atlanta come August. I know I’ll be looking at the Porter Cable/Delta booth for sure.

How about it? Is "Made in America" an important part of your purchasing decisions (aside from price and quality)? Leave a comment and let us know.

—Glen D. Huey


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6/27/2008 3:09:59 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [10] 
 Tuesday, June 24, 2008
Tool Test: Beadlock Pro

It’s a well-known fact that a mortise-and-tenon joint is the strongest woodworking joint (if it’s made correctly). On the web, there have been lengthy discussions about loose-tenon construction – creating mortises in the two mating pieces then installing a single loose tenon that fills both mortises.

With an improvement to the Beadlock system, a jig that’s been around since 2000, Rockler added to the discussion. The Beadlock, either the original or the Beadlock Pro, does not require expensive investments in tooling because mortises are created by simply drilling a series of overlapping holes, guided by a jig.

The Beadlock system is very easy to use. Clamp the jig in position, slide the guide block to one side of the jig, then drill holes. Next, slide the guide block to the opposite side of the jig and again, drill holes. That’s it. You’ve created a mortise. The jig comes standard with a 3⁄8" guide block. With additional interchangeable guide blocks, you can also create mortises that are 1⁄4" and 1⁄2" wide.

You can purchase router bits designed to produce tenon stock or purchase pre-made tenon stock, which has a matching profile, to complete the joint. Matching pre-made tenon stock is available in pre-cut lengths or in 12" pieces that you cut to size. The result is a strong, totally concealed joint with plenty of glue surface.

The Beadlock Pro is the newest evolution of this jig. With it you can create mortises in material up to 3-1⁄2" wide by adjusting the guide-block frame along the rails of the jig. In addition, the Beadlock Pro has a block that is used to create traditional smooth-sided mortises. After using a drilling-guide block to excavate waste, change to the paring block, then use your chisels to pare a smooth side. The guide keeps the chisels in place and positioned correctly. You can then cut your own flat tenon stock.

The Beadlock Pro includes the fully adjustable jig (as shown in the photo above), a 3⁄8" drill bit, a matching stop collar, a Beadlock 3⁄8" guide block and the matching paring block. All the contents are fit into a molded case that includes storage areas for any 1⁄4" and 1⁄2" optional equipment (drilling guides or paring guides) that is sold separately.

If you’re just discovering the mortise-and-tenon joint or are looking for simple and quick method to create this solid joint, check out the Beadlock (street price at $30) and the Beadlock Pro (street priced at $120) available at Rockler stores and Rockler.com.

If you've used either version of Beadlock, leave a comment to let us know what you think.

— Glen D. Huey


Read other entries by Glen D. Huey | Read other Tool Tests
6/24/2008 9:23:08 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [3] 
Jointmaker Pro: Its Origins and Our First Day

Yesterday morning I started getting serious with the Bridge City Jointmaker Pro that John Economaki loaned us for a month. I'm building a quick and dirty prototype of a Frank Lloyd Wright-style table for a future issue and I needed to make a bunch of crisp cuts for the latticework between the legs.

At first I set it up to cut miters on some 5/8" x 5/8" x 5" pieces for a small open square in the middle of the lattice. The first lesson I learned is that you really need the sandpaper-faced fences to hold the work securely. Even with the awesome beveled hold-downs, the work would rise up a bit on the plain poplar fence. Economaki said we would experience this, and he was dead-right. So sandpaper is definitely your friend.


I added some #120-grit sandpaper to the fence, and the thing cuts like a dream now. By way of comparison, I also cut the same miters on our table saw (which felt very dangerous, even with the guard in place), then I made the same cuts with our miter saw. The miter saw did a fairly good job, but there was a lot of rigging to hold the 5"-long pieces in place so that my hands were away from the cut. Also, the cut wasn't as perfect as the ones on the Jointmaker Pro.

Then I made a bunch of straight cuts for the latticework, and that is when I finally got into the rhythm of the machine. One hand was on the sliding table and one hand was on the crank that raises the blade. It's very much like riding a bike. Stroke. Raise the blade. Stroke. Raise the blade. Yesterday I went from: "Herky-jerky" to: "A-ha. Got-it."

The cuts turned out as perfect as I could expect: Dead on, smooth and glass-like. The latticework came together as per plan. However, I'm not happy with the prototype. The legs are too chunky. I think this table is going to look a lot better when I throw it in the dumpster.

Also, Drew DePenning, our associate editor for the web, shot some video last week of Enonomaki discussing how he developed the Jointmaker Pro. We thought it was interesting enough to edit and show you here on the blog. See below.

— Christopher Schwarz



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6/24/2008 8:46:44 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [1] 
 Thursday, June 19, 2008
Jointmaker Pro: A Few Test Cuts

John Economaki from Bridge City Tools is in our shop today before he demonstrates his new Jointmaker Pro saw to about 60 of our readers. As we were setting up the saw we took a few test cuts.

The walnut above is so smooth it's hard to describe. It reflects light. The scratches indicate one stroke with the saw. There is no roughness to the end grain at all. All I could say was, "Wow."

Here are two more photos. First the joint together:

Then the joint apart:

Here's the best part: These are coffee stirring sticks from the Starbucks we stopped at on the way back to the office after a Japanese lunch (yum). And, by the by, these joints were cut by eye – no measuring.

We'll have more photos tomorrow, I'm sure.

— Christopher Schwarz


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6/19/2008 5:08:43 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [3] 
 Wednesday, June 18, 2008
Bob's Bench-Week 2 Becomes Week 3

Sometimes it's hard to get enough shop time in, and that's how it's felt the last week and a half. We've been scrambling to get the next issue of Woodworking Magazine ready to send to the printer and getting our October issue going. It wouldn't be so bad, but I'm taking lots of photos and we're shooting video and that can really slow things down. Even though I've been moving at glacial speed, I've made progress.


The other thing slowing me down is me. This bench will be around for a long time, and will likely be the object of scrutiny, so I'm fussing over things more than I otherwise might. I don't look at this project as a piece of furniture, but I don't want to make any compromises. Ten years from now I'd like to look at the joints and say "that looks pretty good." At that distance I know I won't be saying "I'm sure glad I got home in time for dinner the day I made that ugly joint." The picture above is the last joint in the base and leg assembly. This is the inside of the outer half of one of the legs. A wedge gets knocked in the empty space and holds the rail to the legs.


That's what it looks like after the legs are laminated together and the base is assembled. It's nice  to be at this point but there is still a lot of work left. The base needs to be prettified by planing all the surfaces smooth and flush, and I'll need to knock off the sharp corners. The upper rails will attach with lag screws, and I'll attach the top the same way. Then it will be on to installing the vises, drilling the dog dog holes, and making the tool trays and shelf. All of that by this time next week, when the final photo shoot is scheduled.


It wears me out just thinking about it.

--Bob Lang


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6/18/2008 5:35:36 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [1]